All Adriaen Coorte 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Painting (From A to Z)       Details 
96530 A  mediterranean harbour scene with numerous figures on a que beneath a fort  A mediterranean harbour scene with numerous figures on a que beneath a fort   oil on canvas 86.4 x 117 cm 17th century cyf
95946 Pelican and ducks in a mountain landscape or Oriental Birds  Pelican and ducks in a mountain landscape or Oriental Birds   1683(1683) Medium oil on canvas Dimensions 39 x 48 cm (15.4 x 18.9 in) cyf
92518 Still Life with Asparagus  Still Life with Asparagus   1697(1697) Medium oil on paper mounted on panel Dimensions Height: 25 cm (9.8 in). Width: 20.5 cm (8.1 in). cjr
93062 Still Life with Asparagus.  Still Life with Asparagus.   1697(1697) Medium oil on paper mounted on panel Dimensions Height: 25 cm (9.8 in). Width: 20.5 cm (8.1 in). cjr
93063 Still life with wild strawberries.  Still life with wild strawberries.   1705(1705) Medium oil on paper mounted on panel Dimensions Height: 16.5 cm (6.5 in). Width: 14 cm (5.5 in). cjr
85205 Still-Life with Asparagus  Still-Life with Asparagus   Date 1697(1697) Medium Oil on paper on panel Dimensions Height: 25 cm (9.8 in). Width: 21 cm (8.3 in). cjr

Adriaen Coorte
(ca. 1665 - after 1707) was a Dutch Golden Age painter of still lifes, who signed works between 1683 and 1707. He painted small and unpretentious still lifes in a style more typical of the first half of the century, and was "one of the last practitioners of this intimate category". Very little is known of his life, but he is assumed to have been born and died in Middelburg. He became a pupil of Melchior d'Hondecoeter around 1680 in Amsterdam. From 1683 he seems to have returned to Middelburg, where he set up a workshop and signed his small, carefully balanced minimalist still lifes. He often painted on paper that was glued to a wooden panel. About 80 signed works by him have been catalogued, and nearly all of them follow the same pattern; small arrangements of fruits, vegetables, or shells on a stone slab, lit from above, with the dark background typical of still lifes earlier in the century. Instead of the Chinese or silver vessels favoured by his contemporaries, his tableware is very basic pottery. "Objects and light are studied intensely, and are painted with a wondrous tenderness".[1] Neither his birth nor death date is certain, and archival evidence only exists in Middelburg for his membership in the Guild of St. Luke there from 1695 onwards, when he was fined for selling a painting without being a member of the guild. His works appear frequently in contemporary Middelburg taxation inventories