Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
Ruins with Scene of the Apostle Paul Preaching Painting ID:: 19753
Artist: Panini, Giovanni Paolo Painting: Ruins with Scene of the Apostle Paul Preaching Introduction: 1744
Oil on canvas
The Hermitage, St. Petersburg.
Roman Ruins with Figures Painting ID:: 19755
Artist: Panini, Giovanni Paolo Painting: Roman Ruins with Figures Introduction: 1730
Oil on canvas
National Gallery, London.
Interior of Saint Peter's, Rome Painting ID:: 19756
Artist: Panini, Giovanni Paolo Painting: Interior of Saint Peter's, Rome Introduction: 1746-54
Oil on canvas
National Gallery of Art, Washington D.C.
View of Rome from Mt. Mario, In the Southeast Painting ID:: 19757
Artist: Panini, Giovanni Paolo Painting: View of Rome from Mt. Mario, In the Southeast Introduction: 1749
Oil on canvas
Gemäldegalerie, Berlin.
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).