1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
Graves of Ancient Heroes (mk10) Painting ID:: 21846
Artist: Caspar David Friedrich Painting: Graves of Ancient Heroes (mk10) Introduction: 1812,Oil on canvas,49.5 x 70.5 cm
Hamburg,Kunsthalle
Cave and Funerary Monument (mk10) Painting ID:: 21848
Artist: Caspar David Friedrich Painting: Cave and Funerary Monument (mk10) Introduction: 1813 ,oil on canvas 49 x 70 cm
Bremen,Kunsthalle
Woman on the Beach at Rugen (mk10) Painting ID:: 21851
Artist: Caspar David Friedrich Painting: Woman on the Beach at Rugen (mk10) Introduction: 1818,oil on canvas,21.5 x 30 cm
Winterthur,Museum Stiftung Oskar Reinhart
On the Sail-boat (mk10) Painting ID:: 21852
Artist: Caspar David Friedrich Painting: On the Sail-boat (mk10) Introduction: 1819,oil on canvas,71 x 56 cm
St Petersburg,Hermitage Museum
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.